#SHION CREATIVITY TECH DVSN COLLECTIVE TV#

Various commentators have provided varying suggestions on what activities to include in the concept of 'creative industries' ( DCMS 2001, p. 04)( Hesmondhalgh 2002, p. 12)( Howkins 2001, pp. 88–117)( UNCTAD 2008, pp. 11–12) harv error: no target: CITEREFUNCTAD2008 ( help), and the name itself has become a contested issue – with significant differences and overlap between the terms 'creative industries', 'cultural industries' and 'creative economy' ( Hesmondhalgh 2002, pp. 11–14)( UNCTAD 2008, p. 12) harv error: no target: CITEREFUNCTAD2008 ( help). 4 Difference from the 'cultural industries'.The creative industries have been seen to become increasingly important to economic well-being, proponents suggesting that ' human creativity is the ultimate economic resource' ( Florida 2002, p. xiii), and that 'the industries of the twenty-first century will depend increasingly on the generation of knowledge through creativity and innovation' ( Landry & Bianchini 1995, p. 4). There remain, therefore, different definitions of the sector ( Hesmondhalgh 2002, p. 12)( DCMS 2006). Some scholars consider that the education industry, including public and private services, are forming a part of the creative industries.

#SHION CREATIVITY TECH DVSN COLLECTIVE TV#

Howkins' creative economy comprises advertising, architecture, art, crafts, design, fashion, film, music, performing arts, publishing, R&D, software, toys and games, TV and radio, and video games ( Howkins 2001, pp. 88–117). They may variously also be referred to as the cultural industries (especially in Europe ( Hesmondhalgh 2002, p. 14) or the creative economy ( Howkins 2001), and most recently they have been denominated as the Orange Economy in Latin America and the Caribbean ( Buitrago & Duque 2013). The creative industries refers to a range of economic activities which are concerned with the generation or exploitation of knowledge and information.

Shion creativity tech dvsn collective